Most people wouldn鈥檛 volunteer to walk through a minefield. Princess Diana did it twice.
On Jan. 15, 1997, Diana walked gingerly down a narrow path cleared through an Angolan minefield, wearing a protective visor and flak jacket emblazoned with the name of The HALO Trust, a group devoted to removing mines from former war zones. When she realized some of the photographers accompanying her didn鈥檛 get the shot, she turned around and did it again.
Later, she met with a group of landmine victims. A young girl who had lost her left leg perched on the princess鈥檚 lap.
The images of that day appeared in newspapers and on TV sets around the globe, focusing international attention on the then-languishing campaign to rid the world of devices that lurk underground for decades after conflicts end. Today, a treaty banning landmines has 164 signatories.
Those touched by the life of the preschool teacher turned princess remembered her ahead of what would have been her 60th birthday on Thursday, recalling the complicated royal rebel who left an enduring imprint on the House of Windsor.
Diana had the 鈥渆motional intelligence that allowed her to see that bigger picture 鈥� but also to bring it right down to individual human beings,鈥� said James Cowan, a retired major general who is now CEO of The HALO Trust. 鈥淪he knew that she could reach their hearts in a way that would outmaneuver those who would only be an influence through the head.鈥�
Diana鈥檚 walk among the landmines seven months before she died in a Paris car crash is just one example of how she helped make the monarchy more accessible, changing the way the royal family related to people. By interacting more intimately with the public 鈥� kneeling to the level of a child, sitting on the edge of a patient鈥檚 hospital bed, writing personal notes to her fans 鈥� she connected with people in a way that inspired other royals, including her sons, Princes William and Harry, as the monarchy worked to become more human and remain relevant in the 21st century.
Diana didn鈥檛 invent the idea of royals visiting the poor, destitute or downtrodden. Queen Elizabeth II herself visited a Nigerian leper colony in 1956. But Diana touched them 鈥� literally.
鈥淒iana was a real hugger in the royal family,鈥欌�� said Sally Bedell Smith, author of 鈥淒iana in Search of Herself.鈥欌�� 鈥淪he was much more visibly tactile in the way she interacted with people. It was not something the queen was comfortable with and still is not.鈥欌��
Critically, she also knew that those interactions could bring attention to her causes since she was followed everywhere by photographers and TV crews.
Ten years before she embraced landmine victims in Angola, she shook hands with a young AIDS patient in London during the early days of the epidemic, showing people that the disease couldn鈥檛 be transmitted through touch.
As her marriage to Prince Charles deteriorated, Diana used the same techniques to tell her side of the story. Embracing her children with open arms to show her love for her sons. Sitting alone in front of the Taj Mahal on a royal trip to India. Walking through that minefield as she was starting a new life after her divorce.
鈥淒iana understood the power of imagery 鈥� and she knew that a photograph was worth a hundred words,鈥欌�� said Ingrid Seward, editor-in-chief of Majesty magazine and author of 鈥淒iana: An Intimate Portrait.鈥欌�� 鈥淪he wasn鈥檛 an intellectual. She wasn鈥檛 ever going to be the one to give the right words. But she gave the right image.鈥�
And that began on the day the 20-year-old Lady Diana Spencer married Prince Charles, the heir to throne, on July 29, 1981, at St. Paul鈥檚 Cathedral.
Elizabeth Emanuel, who co-designed her wedding dress, describes an event comparable to the transformation of a chrysalis into a butterfly, or in this case a nursery school teacher in cardigans and sensible skirts into a fairytale princess.
鈥淲e thought, right, let鈥檚 do the biggest, most dramatic dress possible, the ultimate fairytale dress. Let鈥檚 make it big. Let鈥檚 have big sleeves. Let鈥檚 have ruffles,鈥欌�� Emanuel said. 鈥淎nd St. Paul鈥檚 was so huge. We knew that we needed to do something that was a statement. And Diana was completely up for that. She loved that idea.鈥欌��
But Emanuel said Diana also had a simplicity that made her more accessible to people.
鈥淪he had this vulnerability about her, I think, so that ordinary people could relate to her. She wasn鈥檛 perfect. And none of us are perfect, and I think that鈥檚 why there is this thing, you know, people think of her almost like family. They felt they knew her.鈥�
Diana鈥檚 sons learned from their mother鈥檚 example, making more personal connections with the public during their charitable work, including supporting efforts to destigmatize mental health problems and treat young AIDS patients in Lesotho and Botswana.
William, who is second in line to the throne, worked as an air ambulance pilot before taking on full-time royal duties. Harry retraced Diana鈥檚 footsteps through the minefield for The HALO Trust.
Her influence can be seen in other royals as well. Sophie, the Countess of Wessex and the wife of Charles鈥� brother Prince Edward, grew teary, for example, in a television interview as she told the nation about her feelings on the death of her father-in-law, Prince Philip.
The public even began to see a different side of the queen, including her turn as a Bond girl during the 2012 London Olympics in which she starred in a mini-movie with Daniel Craig to open the games.
More recently, the monarch has reached out in Zoom calls, joking with school children about her meeting with Russian cosmonaut Yuri Gagarin. What was he like, ma鈥檃m?
鈥淩ussian,鈥� she said flatly. The Zoom filled with chuckles.
Cowan, of HALO, said the attention that Diana, and now Harry, have brought to the landmine issue helped attract the funding that made it possible for thousands of workers to continue the slow process of ridding the world of the devices.
Sixty countries and territories are still contaminated with landmines, which killed or injured more than 5,500 people in 2019, according to Landmine Monitor.
鈥淪he had that capacity to reach out and inspire people. Their imaginations were fired up by this work,鈥欌�� Cowan said. 鈥淎nd they like it and they want to fund it. And that鈥檚 why she鈥檚 had such a profound legacy for us.鈥欌��
鈥擠anica Kirka, The Associated Press
