“Oppenheimer,” a solemn three-hour biopic that became an unlikely billion-dollar box-office sensation, was that doubled as a coronation for Christopher Nolan.
After passing over arguably Hollywood’s foremost big-screen auteur for years, the Oscars made up for lost time by heaping seven awards on , including best actor for , best supporting actor for and .
In anointing “Oppenheimer,” the Academy of Motion Pictures Arts and Sciences did something it hasn’t done for more than a decade: . In a film industry where a cape, dinosaur or Tom Cruise has often been a requirement for such box office, “Oppenheimer” brought droves of moviegoers to theaters with a complex, fission-filled drama about J. Robert Oppenheimer and the creation of the atomic bomb.
To close out the night, the Academy Award for Best Picture goes to... 'Oppenheimer'!
— The Academy (@TheAcademy)
“For better or worse, we’re all living in Robert Oppenheimer’s world,” said Murphy in his acceptance speech. “I’d like to dedicate this to the peacemakers.”
As a film heavy with unease for human capacity for mass destruction, “Oppenheimer” also emerged – even over its partner in cultural phenomenon, “Barbie” – as a fittingly foreboding film for times rife with cataclysm, man-made or not. Sunday’s Oscars at the Dolby Theatre in Los Angeles unfolded against the backdrop of and , and with a potentially momentous U.S. election on the horizon.
The most closely watched contest of the went to Emma Stone, who won best best actress for her performance as Bella Baxter in “Poor Things.” In what was seen as the night’s most nail-biting category, Stone won over of “Killers of the Flower Moon.” Gladstone would have become the first Native American to win an Academy Award.
Instead, Oscar voters couldn’t resist the full-bodied extremes of Stone’s “Poor Things” performance. The win for Stone, her second best actress Oscar following her 2017 win for “La La Land,” confirmed the 35-year-old as arguably the preeminent big-screen actress of her generation. The list of women to win best actress two or more times is illustrious, including Katharine Hepburn, Frances McDormand, Ingrid Bergman and Bette Davis.
“Oh, boy, this is really overwhelming,” said Stone, who fought back tears and a broken dress during her speech.
Sunday’s broadcast had razzle dazzle, including a sprawling song-and-dance rendition of the by Ryan Gosling, with an assist on guitar by Slash and a sea of Kens who swarmed the stage.
But protest and politics intruded on an election-year , where demonstrations for Gaza raged outside the Dolby Theatre in Los Angeles. Late during the show, host Jimmy Kimmel read a critical social media post from former president Donald Trump.
“Thank you for watching,” said Kimmel. “Isn’t it past your jail time?”
Nolan has had many movies in the Oscar mix before, including “Inception,” “Dunkirk” and “The Dark Knight.” But his win Sunday for direction is the . Addressing the crowd, Nolan noted cinema is just over a hundred years old.
“We don’t know where this incredible journey is going from here,” said Nolan. “But to think that I’m a meaningful part of it means the world to me.”
Downey, nominated twice before (for “Chaplin” and “Tropic Thunder”), also notched his first Oscar, crowning the illustrious second act of his up-and-down career.
“I’d like to thank my terrible childhood and the academy, in that order,” said Downey,
“Barbie,” last year’s biggest box-office hit with more than $1.4 billion in ticket sales, ultimately won just one award: best song (sorry, Ken) for Billie Eilish and Finneas’ “What Was I Made For?” It’s their second Oscar, two years after winning for their James Bond theme, “No Time to Die.”
But after an awards season that stayed largely inside a Hollywood bubble, geopolitics played a prominent role. Protests over Israel’s war in Gaza snarled traffic around the Dolby Theatre in Los Angeles, slowing stars’ arrival on the red carpet and turning the Oscar spotlight toward the . Some protesters shouted “Shame!” at those trying to reach the awards.
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Jonathan Glazer, the British filmmaker whose won best international film, drew connections between the dehumanization depicted in his film and today.
“Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of October the 7th in Israel, or the the ongoing attack on Gaza, all the victims, this dehumanization, how do we resist?”
The war in Gaza was on the minds of many attendees, as was the war in Ukraine. A year after “Navalny” won the same award, Mstyslav Chernov’s a harrowing chronicle of the early days of Russia’s invasion of Ukraine, won best documentary. The win, a first for The Associated Press and PBS’ “Frontline,” came as the war in Ukraine passed the two-year mark with no signs of abating.
Mstyslav Chernov, the Ukrainian filmmaker and AP journalist , spoke forcefully about Russia’s invasion.
“This is the first Oscar in Ukrainian history,” said Chernov. “And I’m honored. Probably I will be the first director on this stage to say I wish I’d never made this film. I wish to be able to exchange this (for) Russia never attacking Ukraine.”
In the early going, Yorgos Lanthimos’ Frankenstein-riff “Poor Things” ran away with three prizes for including awards for production design, makeup and hairstyling and costume design.
Kimmel, hosting the ABC telecast for the fourth time, opened the awards with an monologue that emphasized Hollywood as “a union town” following 2023’s , drew a standing ovation for bringing out teamsters and behind-the-scenes workers — who are now entering their own labor negotiations.
The night’s first award was one of its most predictable: , for her performance in Alexander Payne’s “The Holdovers.” An emotional Randolph was accompanied to the stage by her “Holdovers” co-star Paul Giamatti.
“For so long I’ve always wanted to be different,” said Randolph. “And now I realize I just need to be myself.”
Though Randolph’s win was widely expected, an upset quickly followed. Hayao Miyazaki’s “The Boy and the Heron” , a surprise over the slightly favored “Spider-Man: Across the Spider-Verse.” Miyazaki, the 83-year-old Japanese anime master who came out of retirement to make “The Boy and the Heron,” didn’t attend the ceremony. He also didn’t attend the 2003 Oscars when his “Spirited Away” won the same award.
Best original screenplay went to “Anatomy of a Fall,” which, like “Barbie,” was penned by a couple: director Justine Triet and Arthur Harari. “This will help me through my midlife crisis, I think,” said Triet.
In adapted screenplay, where “Barbie” was nominated — and where some suspected Greta Gerwig would win after being overlooked for director — the Oscar went to , who wrote and directed his feature film debut “American Fiction.” He pleaded for executives to take risks on young filmmakers like himself.
“Instead of making a $200 million movie, try making 20 $10 million movies,” said Jefferson, previously an award-winning TV writer.
The Oscars belonged largely to theatrical-first films. Though it came into the awards with 19 nominations, Netflix was a bit player. Its lone win came for live action short: Wes Anderson’s “The Wonderful Story of Henry Sugar,” based on the story by Roald Dahl.
Historically, having big movies in the mix for the Oscars’ top awards has been good for broadcast ratings. The Academy Awards’ largest audience ever came when James Cameron’s “Titanic” swept the 1998 Oscars.
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AP’s Ryan Pearson and Krysta Fauria contributed to this report
Jake Coyle, The Associated Press