Franz Kafka never realized how close he came to kickstarting a superhero franchise.
Ever since Gregor Samsa awoke in his bed to find himself transformed into a monstrous dung beetle in we鈥檝e had spider-men, wasps, ant-men, crime-fighting ticks and mighty mantises 鈥� such a super swarm of insectoids that you might be tempted to reach for a fly swatter.
We鈥檙e now back to the beetle with the new DC Comics film which opens in theaters Thursday. But what distinguishes 鈥淏lue Beetle鈥� isn鈥檛 its place in the bug brigade but the person doing the metamorphosizing.
Jaime Reyes (Xolo Maridue帽a) is the first Latino superhero in a leading role in a DC film. It鈥檚 not just token casting, either. 鈥淏lue Beetle,鈥� directed by 脕ngel Manuel Soto and written by Gareth Dunnet-Alcocer, is firmly rooted in the experience of the Reyes clan, a close-knit Mexican-American family scraping by in the shadow of the gleaming Miami-like fictional metropolis of Palmera City.
Jaime is their first college graduate 鈥� 鈥淎nd last!鈥� cheerfully chimes his sister, Milagro (the very funny, scene-stealing Belissa Escobedo). The parents, Alberto (Dami谩n Alc谩zar) and Rocio (Elpidia Carrillo) are broke and on the cusp of losing their home to the encroaching, all-powerful Kord Industries. Also living with them are Jaime鈥檚 grandmother (Adriana Barraza) and his truck-driving uncle (George Lopez, having a ball).
鈥淲e used to have the other side of the tracks,鈥� says Milagro. 鈥淣ow they want that, too.鈥�
Despite big post-college ambitions, Jaime is stuck cleaning hotel rooms with his sister. Given what his family has sacrificed for him, he鈥檚 saddled with guilt. So after a chance encounter with Jenny Kord (the Brazilian actress Bruna Marquezine), niece of the company鈥檚 imperial chief executive Victoria (Susan Sarandon), Jaime jumps at the chance of a job opportunity.
He happens to turn up at Kord headquarters just as Jenny is fleeing with Victoria鈥檚 prized discovery: a blue metallic scarab from outer space called the Khaji da that she鈥檚 using to create an privatized robotic army. It鈥檚 admittedly quite a jump from the real estate business, but, well, interest rates are sky high.
Before you know it, Jaime, tasked with hiding the beetle by Jenny, is looking down at the thing when it sinks itself onto his face and quickly seeps into his body. Gregor鈥檚 initial response to changing into a beetle was simply to turn over (鈥淗ow about if I sleep a little bit longer and forget all this nonsense鈥�), but Jaime is afforded no such chance. He鈥檚 immediately rocketed through the roof and into space.
In the broadly sketched but spirited 鈥淏lue Beetle,鈥� much of what follows is as you鈥檇 expect. There鈥檚 getting used to the new outfit (and the sentient being that communicates Venom-style within Jaime). A recent past to uncover. The inevitable climactic battle between two hunks of CGI.
But 鈥淏lue Beetle,鈥� the final entry in distinguishes itself in other ways. Jaime鈥檚 family is continually along for the ride, making up his supporting cast when the big fight comes. (The grandmother鈥檚 younger days as a revolutionary emerge, comically.) Superheroes are ultimately empowerment fantasies, though they鈥檝e often got away from that. 鈥淏lue Beetle鈥� manages to come closer than most in evoking the thrill of the powerless suddenly handed cosmic strength.
Soto plays it fast and loose, mixing in a little lewdness (鈥淎ctivate bug fart鈥� is a new addition to the often solemn DC universe) and shades of neon blue and purple along the way. 鈥淏lue Beetle鈥� doesn鈥檛 have much originality going for itself and Maridue帽a doesn鈥檛 make a significant impression. But the film crucially gets that superhero movies don鈥檛 need to be self-serious to make a serious point.
鈥淏lue Beetle,鈥� light, lively and sincere, is a tribute to the tenacity and indomitability of Mexican-American families that have clawed their way into an often inhospitable society. Family members, usually plot points of some animating trauma in superhero movies, are here a central part of the action. (Lopez gets countless cracks in, and most of them land.)
It鈥檚 a time of self-inquiry for the superhero movie after hints of a new downward trend (despite some notable exceptions like the blistering with its ). 鈥淏lue Beetle,鈥� which had at one point been destined to go straight to streaming, falls in the middle of this new uncertain terrain. After a string of disappointments, future DC installments will take the comic book franchise in new directions. So it remains to be seen if 鈥淏lue Beetle鈥� can be much more than a bug in the system amid larger industry shifts.
But I鈥檇 wager there will be plenty of moviegoers 鈥� especially young Hispanic ones not accustomed to seeing reflections of themselves in Hollywood comic book spectacles 鈥� who鈥檒l grin all the way through the breezy 鈥淏lue Beetle.鈥� If even a low-stakes, fairly derivative superhero movie like this can charm thanks to its warm Hispanic perspective and winning supporting cast, there鈥檚 plenty of hope yet for the genre 鈥� bugs and all.
鈥淏lue Beetle,鈥� a Warner Bros. release is rated PG-13 by the Motion Picture Association for sequences of action and violence, language, and some suggestive references. Running time: 127 minutes. Two and a half stars out of four.
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