Tony Bennett, the eminent and timeless stylist whose devotion to classic American songs and knack for creating new standards such as graced a decadeslong career that brought him admirers from Frank Sinatra to Lady Gaga, died Friday. He was 96, just two weeks short of his birthday.
Publicist Sylvia Weiner confirmed Bennett鈥檚 death to The Associated Press, saying he died in his hometown of New York. There was no specific cause, but Bennett had been diagnosed in 2016.
The last of the great saloon singers of the mid-20th century, Bennett often said his lifelong ambition was to create 鈥渁 hit catalog rather than hit records.鈥� He released more than 70 albums, bringing him 19 competitive Grammys 鈥� all but two after he reached his 60s 鈥� and enjoyed deep and lasting affection from fans and fellow artists.
Bennett didn鈥檛 tell his own story when performing; he let the music speak instead 鈥� the Gershwins and Cole Porter, Irving Berlin and Jerome Kern. Unlike his friend and mentor Sinatra, he would interpret a song rather than embody it. If his singing and public life lacked the high drama of Sinatra鈥檚, Bennett appealed with an easy, courtly manner and an uncommonly rich and durable voice 鈥� 鈥淎 tenor who sings like a baritone,鈥� he called himself 鈥� that made him a master of caressing a ballad or brightening an up-tempo number.
鈥淚 enjoy entertaining the audience, making them forget their problems,鈥� he told The Associated Press in 2006. 鈥淚 think people 鈥� are touched if they hear something that鈥檚 sincere and honest and maybe has a little sense of humor. 鈥� I just like to make people feel good when I perform.鈥�
Bennett was praised often by his peers, but never more meaningfully than by what Sinatra said in a 1965 Life magazine interview: 鈥淔or my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He鈥檚 the singer who gets across what the composer has in mind, and probably a little more.鈥�
He not only survived the rise of rock music but endured so long and so well that he gained new fans and collaborators, some young enough to be his grandchildren. In 2014, at age 88, Bennett broke his own record as the oldest living performer with a No. 1 album on the Billboard 200 chart his duets project with Lady Gaga. Three years earlier, he topped the charts with 鈥淒uets II,鈥� featuring such contemporary stars as Gaga, Carrie Underwood and Amy Winehouse, in her last studio recording. His rapport with Winehouse was captured in the Oscar-nominated documentary 鈥淎my,鈥� which showed Bennett patiently encouraging the insecure young singer through a performance of 鈥淏ody and Soul.鈥�
His final album, the 2021 release 鈥淟ove for Sale,鈥� featured duets with Lady Gaga on the title track, 鈥淣ight and Day鈥� and other Porter songs.
For Bennett, one of the few performers to move easily between pop and jazz, such collaborations were part of his crusade to expose new audiences to what he called the Great American Songbook.
鈥淣o country has given the world such great music,鈥� Bennett said in a 2015 interview with Downbeat Magazine. 鈥淐ole Porter, Irving Berlin, George Gershwin, Jerome Kern. Those songs will never die.鈥�
Ironically, his most famous contribution came through two unknowns, George Cory and Douglass Cross, who in the early 鈥�60s provided Bennett with his signature song at a time his career was in a lull. They gave Bennett鈥檚 musical director, pianist Ralph Sharon, some sheet music that he stuck in a dresser drawer and forgot about until he was packing for a tour that included a stop in San Francisco.
鈥淩alph saw some sheet music in his shirt drawer 鈥� and on top of the pile was a song called 鈥業 Left My Heart In San Francisco.鈥� Ralph thought it would be good material for San Francisco,鈥� Bennett said. 鈥淲e were rehearsing and the bartender in the club in Little Rock, Arkansas, said, 鈥業f you record that song, I鈥檓 going to be the first to buy it.鈥欌��
Released in 1962 as the B-side of the single 鈥淥nce Upon a Time,鈥� the reflective ballad became a grassroots phenomenon staying on the charts for more than two years and earning Bennett his first two Grammys, including record of the year.
By his early 40s, he was seemingly out of fashion. But after turning 60, an age when even the most popular artists often settle for just pleasing their older fans, Bennett and his son and manager, Danny, found creative ways to market the singer to the MTV Generation. He made guest appearances on 鈥淟ate Night with David Letterman鈥� and became a celebrity guest artist on 鈥淭he Simpsons.鈥� He wore a black T-shirt and sunglasses as a presenter with the Red Hot Chili Peppers at the 1993 MTV Music Video Awards, and his own video of 鈥淪teppin鈥� Out With My Baby鈥� from his Grammy-winning Fred Astaire tribute album ended up on MTV鈥檚 hip 鈥淏uzz Bin.鈥�
That led to an offer in 1994 to do an episode of 鈥淢TV Unplugged鈥� with special guests Elvis Costello and k.d. lang. The evening鈥檚 performance resulted in the album, 鈥淭ony Bennett: MTV Unplugged,鈥� which won two Grammys, including album of the year.
Bennett would win Grammys for his tributes to female vocalists (鈥淗ere鈥檚 to the Ladies鈥�), Billie Holiday (鈥淭ony Bennett on Holiday鈥�), and Duke Ellington (鈥淏ennett Sings Ellington 鈥� Hot & Cool鈥�). He also won Grammys for his collaborations with other singers: 鈥淧layin鈥� With My Friends 鈥� Bennett Sings the Blues,鈥� and his Louis Armstrong tribute, 鈥淎 Wonderful World鈥� with lang, the first full album he had ever recorded with another singer. He celebrated his 80th birthday with 鈥淒uets: An American Classic,鈥� featuring Barbra Streisand, Paul McCartney and Stevie Wonder among others.
鈥淭hey鈥檙e all giants in the industry, and all of a sudden they鈥檙e saying to me 鈥榊ou鈥檙e the master,鈥欌�� Bennett told the AP in 2006.
Long associated with San Francisco, Bennett would note that his true home was Astoria, the working-class community in the New York City borough of Queens, where he grew up during the Great Depression. The singer chose his old neighborhood as the site for the 鈥淔ame鈥�-style public high school, the Frank Sinatra School of the Arts, that he and his third wife, Susan Crow Benedetto, a former teacher, helped found in 2001.
The school is not far from the birthplace of the man who was once Anthony Dominick Benedetto. His father was an Italian immigrant who inspired his love of singing, but he died when Anthony was 10. Bennett credited his mother, Anna, with teaching him a valuable lesson as he watched her working at home, supporting her three children as a seamstress doing piecework after his father died.
鈥淲e were very impoverished,鈥� Bennett said in a 2016 AP interview. 鈥淚 saw her working and every once in a while she鈥檇 take a dress and throw it over her shoulder and she鈥檇 say, 鈥楧on鈥檛 have me work on a bad dress. I鈥檒l only work on good dresses.鈥欌��
He studied commercial art in high school, but had to drop out to help support his family. The teenager got a job as a copy boy for the AP, performed as a singing waiter and competed in amateur shows. A combat infantryman during World War II, he served as a librarian for the Armed Forces Network after the war and sang with an army big band in occupied Germany. His earliest recording is a 1946 air check from Armed Forces Radio of the blues 鈥淪t. James Infirmary.鈥�
Bennett took advantage of the GI Bill to attend the American Theater Wing, which later became The Actors Studio. His acting lessons helped him develop his phrasing and learn how to tell a story. He learned the more intimate Bel Canto vocal technique which helped him sustain and extend the expressive range of his voice. And he took to heart the advice of his vocal coach, Miriam Spier.
鈥淪he said please don鈥檛 imitate other singers because you鈥檒l just be one of the chorus whoever you imitate whether it鈥檚 Bing Crosby or Frank Sinatra and won鈥檛 develop an original sound,鈥� Bennett recalled in the 2006 AP interview. 鈥淪he said imitate musicians that you like, find out how they phrase. I was particularly influenced by the jazz musicians like (pianist) Art Tatum and (saxophonists) Lester Young and Stan Getz.鈥�
In 1947, Bennett made his first recording, the Gershwins鈥� standard 鈥淔ascinatin鈥� Rhythm鈥� for a small label under the stage name Joe Bari. The following year he gained notice when he finished behind Rosemary Clooney on the radio show 鈥淎rthur Godfrey鈥檚 Talent Scouts.鈥� Bennett鈥檚 big break came in 1949 when singer Pearl Bailey invited him to join her revue at a Greenwich Village club. Bob Hope dropped by one night and was so impressed that he offered the young singer a spot opening his shows at the famed Paramount Theater, where teens had swooned for Sinatra. But the comedian didn鈥檛 care for his stage name and thought his real name was too long for the marquee.
鈥淗e thought for a moment, then he said, 鈥榃e鈥檒l call you Tony Bennett,鈥欌�� the singer wrote in his autobiography, 鈥淭he Good Life,鈥� published in 1998.
In 1950, Mitch Miller, the head of Columbia Records鈥� pop singles division, signed Bennett and released the single, 鈥淭he Boulevard of Broken Dreams,鈥� a semi-hit. Bennett was on the verge of being dropped from the label in 1951 when he had his first No. 1 on the pop charts with 鈥淏ecause of You.鈥� More hits followed, including 鈥淩ags to Riches,鈥� 鈥淏lue Velvet,鈥� and Hank Williams鈥� 鈥淐old, Cold Heart,鈥� the first country song to become an international pop hit.
Bennett found himself frequently clashing with Miller, who pushed him to sing Sinatra-style ballads and gimmicky novelty songs. But Bennett took advantage of the young LP album format, starting in 1955 with 鈥淐loud 7,鈥� featuring a small jazz combo led by guitarist Chuck Wayne. Bennett reached out to the jazz audience with such innovative albums as the 1957 鈥淭he Beat of My Heart,鈥� an album of standards that paired him with such jazz percussion masters as Chico Hamilton, and Art Blakey. He also became the first white male singer to record with the Count Basie Orchestra, releasing two albums in 1958. Sinatra would later do the same.
Bennett鈥檚 friendship with Black musicians and his disgust at the racial prejudice he encountered in the Army led him to become an active supporter of the Civil Rights Movement. He answered to join Martin Luther King Jr.鈥檚 1965 Selma-to-Montgomery voting rights march and
Bennett鈥檚 early career peaked in the 1960s as he topped the charts with 鈥淪an Francisco鈥� and became the first male pop solo performer to headline at Carnegie Hall, releasing a live album of the 1962 concert.
In 1966, he released 鈥淭he Movie Song Album,鈥� a personal favorite which featured Johnny Mandel鈥檚 Oscar-winning song 鈥淭he Shadow of Your Smile鈥� and 鈥淢aybe September,鈥� the theme from the epic flop 鈥淭he Oscar,鈥� noteworthy because it marked Bennett鈥檚 first and only big-screen acting role.
But as rock continued to overtake traditional pop, he clashed with Columbia label head Clive Davis, who insisted that the singer do the 1970 album 鈥淭ony Sings the Great Hits of Today,鈥� with such songs as 鈥淢acArthur Park鈥� and 鈥淟ittle Green Apples.鈥� Bennett left Columbia in 1972, and went on to form his own record label, Improv, which in 1975-76 produced two duet albums with the impressionistic pianist Bill Evans now considered jazz classics.
Despite artistic successes, Improv proved a financial disaster for Bennett, who also faced difficulties in his personal life. His marriage to artist Patricia Beech collapsed in 1971. He wed actress Sandra Grant the same year, but that marriage ended in 1984. With no recording deals, his debts brought him close to bankruptcy and the IRS was trying to seize his house in Los Angeles. After a near-fatal drug overdose in 1979, he turned to his son, Danny, who eventually signed on as his manager. Bennett kicked his drug habit and got his finances in order, moved back to New York and resumed doing more than 200 shows a year.
He is survived by his wife Susan, daughters Johanna and Antonia, sons Danny and Dae and nine grandchildren.
Bennett was named a Kennedy Center Honoree in 2005 and a National Endowment for the Arts Jazz Master in 2006. He also won two Emmy Awards 鈥� for 鈥淭ony Bennett Live By Request: A Valentine Special鈥� (1996) and 鈥淭ony Bennett: An American Classic鈥� (2007).
Besides singing, Bennett pursued his lifelong passion for painting by taking art lessons and bringing his sketchbook on the road. His paintings, signed with his family name Benedetto 鈥� including portraits of his musician friends and Central Park landscapes 鈥� were displayed in public and private collections, including the Smithsonian Museum of American Art.
鈥淚 love to paint as much as I love to sing,鈥� Bennett told the AP in 2006. 鈥淚t worked out to be such a blessing in my life because if I started getting burnt-out singing 鈥� I would go to my painting and that鈥檚 a big lift. 鈥� So I stay in this creative zone all the time.鈥�
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AP National Writer Hillel Italie contributed to this story.
Charles J. Gans, The Associated Press
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