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Nisga鈥檃 memorial pole about to start journey home to B.C. from Scottish museum

Pole is set to make its journey to the Nass Valley in the belly of a Canadian military aircraft
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Amy Parent, right, is shown with the Ni鈥檌sjoohl memorial pole alongside Nisga鈥檃 Chief Earl Stephens during a visit to the National Museum of Scotland in this handout image provided by National Museums Scotland. Parent says the pole is set to begin its month-long journey home to the Nisga鈥檃 Nation in northwestern British Columbia. THE CANADIAN PRESS/HO-National Museums Scotland-Neil Hanna

A memorial totem pole belonging to members of the Nisga鈥檃 Nation in northwestern British Columbia is about to begin its journey home from the National Museum of Scotland in Edinburgh, where it has been on display for nearly a century.

Amy Parent, a member of the nation and Canada Research Chair in Indigenous education and governance, said she expects to feel a deep sense of peace when the pole that鈥檚 alive with the spirit of a relative returns to the Nass Valley.

The pole is set to make its journey in the belly of a Canadian military aircraft as a result of what Parent described as an unexpected moment of reconciliation.

While the Scottish museum initially planned to transport the 11-metre pole by ship, Parent said she felt moving it by plane would reduce the risk of damage.

鈥淚鈥檓 so grateful that we have some strong negotiators who happened to be in Ottawa,鈥 she told The Canadian Press on Thursday as she prepared to leave for Scotland the next day as part of a delegation of Nisga鈥檃 community members.

鈥淚 jokingly texted them and said, if you鈥檙e talking to some senior Canadian officials, tell them 鈥 I want our totem pole to be sent home on a plane.鈥

Parent said her message 鈥渓ed to a conversation with the right person,鈥 and a brigadier general came forward to support the pole鈥檚 return.

A representative from the Department of National Defence was not immediately available to comment on the military鈥檚 role in returning the artifact.

The hand-carved pole was commissioned in 1860 to honour a member of the House of Ni鈥檌sjoohl, who was next in line to be chief but died protecting his family and nation, the Nisga鈥檃 Lisims government said in a statement earlier this month.

The pole was taken without the nation鈥檚 consent in 1929 by an ethnographer researching Nisga鈥檃 village life, who then sold it to the Scottish museum.

The negotiations over what Parent calls the 鈥渞ematriation鈥 of the pole have taken a year. A Nisga鈥檃 delegation travelled to Scotland to ask for its return in August 2022, and the museum鈥檚 board of trustees approved the plan later last year.

A previous Nisga鈥檃 delegation made the trip to Scotland to request the pole鈥檚 return two decades ago but an official at the time indicated it was too old to be moved, said Parent, who is a professor in the Faculty of Education at Simon Fraser University.

This time, Canadian experts assessed the pole鈥檚 condition and expressed confidence that it could safely be transported home, she said.

鈥淭hat also galvanized us to go there and start our discussions with the museum around repatriation last summer,鈥 Parent said.

A statement from Chris Breward, director of National Museums Scotland, said museum staff have been planning for the 鈥渃omplex task鈥 of carefully lowering the pole in what is the first return of its type by an institution in the United Kingdom.

Parent is among those who have returned to Scotland, where a ceremony is to be held Monday to ask the spirit within the pole to rest while it鈥檚 transported, she said.

The process to remove the pole from the museum could take nearly two weeks, she said. Canadian Forces will then pick it up from a Scottish military base.

Nisga鈥檃 community members are 鈥渆cstatic鈥 at the pole鈥檚 return, Parent said.

A ceremony and a feast for as many as 1,000 people is being planned to mark its expected arrival on Nisga鈥檃 lands on Sept. 29, she said.

Parent said they鈥檝e achieved something she felt would be 鈥渋mpossible鈥 in orchestrating a successful repatriation at the international level.

The basic first steps any institution can take is finding the rightful owners of artworks and other cultural treasures held in its collections and sharing the items鈥 history in a way that accurately and respectfully reflects their origins, she added.

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