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Earnest or playful, that Valentine鈥檚 card has a history

鈥楾he giving and receiving of Valentines was always partly about performing love, for an audience鈥
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This image released by The Cooper Hewitt Smithsonian Design Museum shows a Valentine鈥檚 greeting card from 2010 made of lasercut card stock (Cooper Hewitt, Smithsonian Design Museum via AP)

It was Valentine鈥檚 Day 1917 in the Minnesota farming village of Lewiston, and Fred Roth 鈥 a fourth grader 鈥 seems to have come up with just the way to express his love for his sweetheart, Louise Wirt. He gave her a card.

The folding, pop-up Valentine鈥檚 Day card, on stock so heavy it remains in good shape 106 years later, reads: 鈥淔orget me not!/I ask of thee/Reserve one spot/In your heart for me.鈥

And so she did. Years later they married, and Louise displayed the cherished card, tucked into the fretwork of a bedroom dresser, for decades to come. She pointed it out to her daughter, and later to a granddaughter, me, and it remained near her bedside until her death at 91, a token of lasting love.

Although the message was in English, the card is printed with the word 鈥淕ermany鈥 and is seemingly imported, as were many cards of that era. Small companies in the U.S. also were part of a flourishing commercial card business.

Hallmark, which began offering Valentine鈥檚 Day cards in 1913, estimates that today, 145 million Valentine鈥檚 Day cards are exchanged annually, not including the kids鈥 valentines popular for classroom exchanges.

Fertility-related customs and rituals have been celebrated in mid-February since pagan times, says Emelie Gevalt, curator of folk art and curatorial chair for collections at the American Folk Art Museum in New York City.

Tokens of affection varied: In the 1600s, the practice was to give pairs of gloves in mid-February, she says.

鈥淏y the 18th century, we start to see something that really begins to resemble modern Valentine鈥檚 cards,鈥 she says. 鈥淚n the 19th century, this evolved further to the point where popular ladies鈥 magazines like Harper鈥檚 Weekly published instructions for readers on how to craft them.鈥

There have long been both earnest, heartfelt Valentines like Grandpa Fred鈥檚, and ones in a more teasing, playful vein.

The museum鈥檚 collection includes a number of lovingly crafted tokens of affection from various periods. 鈥淵ou see the heart motif quite a lot,鈥 Gevalt says.

Although not specifically linked to Valentine鈥檚 Day, an exhibit at the museum opening March 17, 鈥淢aterial Witness: Folk and Self-Taught Artists at Work,鈥 features two examples of 鈥渇raktur,鈥 exuberantly decorated watercolors made by German immigrants in Pennsylvania. One is called 鈥淚nverted Heart,鈥 and another depicts a labyrinth.

鈥淭hey were really dazzling objects, including motifs of flowers or hearts. The playfulness and cleverness of these objects is one of the most interesting aspects they have in common,鈥 Gevalt says.

In the mid-19th century, some people shared 鈥淰inegar Valentines,鈥 a sort of anti-Valentine that featured playfully insulting verses, not unlike a modern-day roast.

Sometimes, cards involved writing in a circle or upside down, like a puzzle. Some had a decorative folded border or verses on the folds; cutwork resembling lace; or watercolor decorations of pierced hearts, lovebirds and flowers. Lover鈥檚 knots and labyrinths were also common elements.

鈥淭hey remind me of games, like plucking the petals of a flower saying 鈥榮he loves me, she loves me not,鈥欌 Gevalt says.

The boom in commercial Valentine鈥檚 Day cards in the mid-1800s was a reflection of changing courtship patterns, says Elizabeth White Nelson, associate professor of history at University of Nevada, Las Vegas.

鈥淭he idea of companionate marriage and love became a part of the calculus of marriage, and Valentine鈥檚 Day cards became a part of courtship,鈥 she says.

These days, the cards continue to evolve.

鈥淥ver the last few years, trends have been less about romantic love but more about letting someone know they matter,鈥 says Jen Walker, vice president of trends and creative studios at Hallmark Cards, Inc.

There are 鈥渕ore inclusive visuals, and a larger representation of relationships 鈥 love, chosen family, friendships, parents and children, self-care,鈥 she says.

A bit of mystery surrounds my Grandma Louise鈥檚 precious Valentine. It would have been out of character for Fred to buy a commercial card as opposed to, say, presenting her with a bouquet of pussy willows he had picked.

鈥淭hat period would have been the beginning of an organized practice of exchanging Valentines in school,鈥 says Nelson. In some classrooms, everyone was required, or at least encouraged, to give a Valentine.

鈥淭he giving and receiving of Valentines was always partly about performing love, for an audience,鈥 says Nelson, 鈥渁nd once that Valentine鈥檚 Day card got saved, it would have become a talisman of all that love is supposed to be.鈥

鈥擪atherine Roth, The Associated Press





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