In a soccer coach comes from far away to lead a hapless group of athletes. He鈥檚 a fish-out-of-water type, ill-suited for the job, but rises to the occasion and everyone feels good at the end. Wait, you鈥檙e thinking, that鈥檚 the plot of 鈥淭ed Lasso.鈥�
Well, only kind of.
Writer-director 鈥� the manic, slightly unhinged mind behind and 鈥� offers a sports movie that鈥檚 not, of course, a sports movie and the opposite of whatever Jason Sudeikis was doing on his TV series.
鈥淣ext Goal Wins鈥� 鈥� 鈥渋nspired by true events鈥� 鈥� stars Michael Fassbender as a bitter Dutch-American soccer coach assigned to help the struggling American Samoa national team qualify for the 2014 FIFA World Cup. The team is an international laughing stock and still stinging from having been on the wrong side of the worst loss in international soccer history 鈥� a 31-0 thrashing by Australia in 2001.
Waititi and co-writer Iain Morris based their movie on a 2014 British documentary of the same name and you can instantly tell why Waititi gravitated toward the story. It has a clash of civilizations, explores overcoming loss and it has a beautiful lesson about embracing those who are different.
In Waititi鈥檚 hands, it becomes a sloppy, quirky, pop culture-studded frothy comedy that gently apes other underdog sports movies but doesn鈥檛 offer much but a mildly funny respite from reality. It makes 鈥淏end it like Beckham鈥� seem really deep.
Waititi himself 鈥� he couldn鈥檛 resist stepping into his own film 鈥� frames the movie in the first minutes by playing a priest on American Samoa who promises this will not be a tale of woe but 鈥渁 tale of woah!鈥� (Shakespeare isn鈥檛 laughing).
Fassbender here is the opposite of Lasso 鈥� he鈥檚 broken inside, angry outside, egotistical and unyielding, a coach fired from his last three teams and given a career lifeline no one else wants. He has no home-spun wisdom to offer, just routine high school bullying. 鈥淪omething鈥檚 not right about that guy,鈥� says one islander. 鈥淲ell,鈥� comes the response. 鈥淗e is white.鈥�
The coach will eventually be redeemed by American Samoa itself, by the nobility of its people and the goodness of their souls, with the movie getting dangerously close to worn-out movie cliche territory.
The script had an opportunity to really examine the demand of winning at all costs versus the rewards of merely having fun and having a passion for sports but abandons any lessons in a flurry of team-building montages.
This being a Waititi movie, there鈥檚 a scattershot of pop culture references 鈥� 鈥淜arate Kid,鈥� 鈥淭aken,鈥� 鈥淭he Matrix,鈥� 鈥淎ny Given Sunday鈥� and even Frank Sinatra (鈥淵ou鈥檙e riding high in April, shot down in May鈥�). At times, these seem more like the director鈥檚 idiosyncrasies than plot advancers.
The script also takes a weird sort of glee mocking the islanders, who are portrayed sometimes as playing dress-up. One sits at a desk with a keyboard and a monitor but no computer and another makes siren noises with his mouth in a police car because of faulty equipment.
鈥淣ext Goal Wins鈥� is most winning in the way it handles the team鈥檚 star player, Jaiyah Saelua, who became the first nonbinary player to compete in a men鈥檚 FIFA qualifier. Played with real tenderness and joy by nonbinary actor Kaimana, the role and the way her teammates and the coach relate to her is genuine and touching.
There are other really nice turns by Oscar Kightley, Will Arnett and Elisabeth Moss, but it鈥檚 Fassbender who must do the bulk of the lifting here. His accent is spotty and he may initially not have been on the top of everyone鈥檚 list for the part but he sticks the landing, to mix sports metaphors. 鈥淣ext Goal Wins鈥� isn鈥檛 a tale of 鈥渨oe鈥� or 鈥渨oah!鈥� but 鈥渕eh.鈥�
鈥淣ext Goal Wins,鈥� a Searchlight Pictures release that鈥檚 in theaters Friday, is rated PG-13 for 鈥渟ome strong language and crude material.鈥� Running time: 103 minutes. Two stars out of four.
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